This year in writing

In the spirit of retrospection—and also recognizing that without Facebook to update the friendly masses on my writerly aspirations, contributing to my underused blog is the best way to let the world know what I’m up—I feel the urge to share the latest and greatest adventures in writing.

I started off the year working on a new novel (yes, this marks number three for those keeping score) written mostly during November 2016 NaNoWriMo (National Novel Writing Month, for the uninitiated). In January, I joined a critique group (recently dubbed La Madeleine Writers in honor of the Bethesda cafe where we convene) which meets monthly, inspires daily. I recruited new beta readers and when those readers funneled back dissatisfaction with the novel’s ending, I edited, wrote and rewrote and found new suckers readers to take on a revised version.

Then I edited and wrote and rewrote some more.

As a self-imposed May 31st deadline to have a query-ready manuscript approached (for those who don’t know, I amicably broke up with my previous agent in 2016) I snuck in writing/editing time when I could, mostly at five o’clock in the morning before sun, kids, and cats rise. I started with a light pitch in June, sending the manuscript to a handful of literary agents.

While those queries did not yield a match, one agent provided feedback. Detailed feedback. And engaged in a back and forth exchange where I could ask questions, which she promptly answered. If you aren’t a writer struggling to forge this impossible seeming professional relationship, you don’t understand how glorious and rare unsolicited feedback is in a world of form letter email rejections. (The process isn’t unlike online dating.) Her suggestions made my manuscript stronger, even if we didn’t find happily ever after.

In August, I submitted my novel for #PitchWars, an online contest pairing aspiring authors (aka mentees) with agented/published authors or others in the industry (aka mentors). Mentors help mentees edit their novel/pitch in preparation for an agent showcase round, where matches are made in heaven. I wasn’t selected as a mentee, but made a writer friend out of my dream mentor. Her advice has helped me improve in immeasurable ways, and she always responds immediately to my “what do you think if I xxx” texts.

In November, I hired Hyphen Craft, an editing service recently established by former literary agent Jennifer Johnson-Blalock. She honed my Twitter pitches for #PitMad and reviewed my submission package (i.e. query letter, synopsis and first ten pages) advising on what grabs—and holds—an agent’s attention. In the process of all that fine-tooth comb editing, together we realized my working title didn’t convey the serious aspect of the manuscript. I vowed to spend Christmas batting around ideas when out of the blue, I got an email from her with an inspired (secret, for now) title suggestion. That’s working overtime!

Also over Christmas, I read Stephen King’s memoir On Writing, and while he doesn’t know me—and doubtfully remembers the time I went to a birthday party at his house when I was 12 years old—his words helped propel an aspiring author (and fellow Mainer) forward during a time of despair. So as the new year approaches, I continue to edit, write and rewrite. I have no deadline in mind, but I maintain hope I’ll find my perfect literary match.

Then maybe I’ll try online dating again.